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Defiance Of Good
Delicious Decadence
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I Only Love Deep Throats
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Lascivious Liaisons
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Voyeur
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Voyeur - Hardcore Fetish Sex Action DVD
Erotic auteur Chuck Vincent brings you the porn classic Voyeur, an uncommonly well made sexual adventure.
Voyeur is like Hitchcock with huge, stiff cocks made in the lavish Hollywood style.
Featuring Robert Bullock we follow a bitter ex-cop as his life takes a bizarre twist the day he meets a shady lawyer. After being hired to spy on a wealthy and promiscuous socialite he finds himself beyond obsession with his lustful and mysterious woman.
As his sexual intensity mounts from watching the socialites smoldering encounters Robert must sweat it out while watching from afar.
Like an animal driven by savage passion, he must finally confront the image of his desire and you get to witness it right along with him.
Starring: Chuck Vincents , Michael Knight , George Payne , Robert Bullock , Sharon Kane , Tish Ambrose , Sheri St. Clair and Taija Rae
Categories: Bondage , Straight , Story , Peeping Tom , New Releases , Sci-fiction , Cocksucking and Romance
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Voyeur - Hardcore Fetish Sex Action DVD
Voyeur - Hardcore Fetish Sex Action DVD
It’s not everyday that you pick up an adult DVD with a box cover that compares itself to Hitchcock. It’s also not everyday that you actually watch an adult film that truly reminds you of Hitchcock. But that’s exactly the case on both accounts with Chuck Vincent’s Voyeur (1985). Voyeur centers on Julius Kurtz (Robert Bullock), a bitter ex-cop who is hired by lawyer Quentin Jones (Jack Wrangler) to spy on attractive socialite Lauren Aldridge (Sheri St. Clair). Mrs. Aldridge is buying up the stock in a certain company, and Jones’ boss wants to know what she’s up to. Kurtz becomes obsessed with Aldridge, loses his wife (the always cute Taija Rae) as result, and is stunned when he discovers who Jones’ boss really is.
So, how is it Hitchcockian? Well, Kurtz doesn’t exactly force his wife to dress up exactly like Sheri or anything, but it becomes pretty clear that he is a combination of the Jimmy Stewart characters from Rear Window (1954) and Vertigo (1958). At first, he follows her in his car, and fans of Vertigo know what that means: prolonged sequences where the only audible noise is the musical score. Eventually, he figures out where she lives, and rents an apartment in the building across from her’s. His leg isn’t broken, and he’s not in a wheelchair, but this is pretty much Rear Window. Instead of watching her murder someone, though, he witnesses her fucking two of her maids on the balcony and then later fucking a prisoner she freed on the same balcony. All the while, her husband stays in the background and watches with a blank expression on his face. These Voyeur sex scenes are filmed from Kurtz’ POV, and as result they are highly erotic. In fact, St. Clair is consistently depicted in this manner through the film, not just during the sex.
In Voyeur, Vincent creatively meshed together two of the best American films of all-time, and did it for a porno no less. Kudos. Unfortunately, he didn’t have Hitchcock on-set with him to manipulate the actors into delivering the proper performances. While St. Claire and Wrangler need no improvement, Bullock and Rae sure could have used some help. Their non-sex scenes together are increasingly wooden, particularly the penultimate one that ends with her crying, “I hate you. I don’t like you anymore!” Bullock replies to this cold declaration by melodramatically punching their apartment’s front door panel as if he were the lead singer of A-Ha and hitting the door repeatedly would turn him from black and white to color (a labored reference to the music video for “Take On Me”, I know). You get the feeling that Bullock was handed the role of his career, and he just didn’t quite have the acting chops to pull it off. Luckily, St. Clair was up for the challenge.
Voyeur Scene 1: Sarah Bernard w/Jack Wrangler (2 minutes)
Jack is in the back of Robert’s cab. Sarah, a girl with a rough face and big brunette hair, gets in and gives Jack a blowjob for money. It is very brief.
Jack is in the back of Robert’s cab. Sarah, a girl with a rough face and big brunette hair, gets in and gives Jack a blowjob for money. It is very brief.
Voyeur Scene 2: Taija Rae (cover girl; brunette hair here, the photo on the cover is from later in her career) w/Robert Bullock (7 minutes)
Bullock has the job, and is testing out his new camera that he bought with his advance. Of particular interest to him is how well the feed from the camera looks on his television. In the room with him is Taija, wearing a red and black leotard with leg warmers and doing leg crunches. She looks hot, and Robert recognizes that. So, they have some fun with the new toy. They set up the camera on a tripod, and point it at the TV. They then stand in front of the TV and fuck. This is pretty hot, what with shots of Taija watching herself watching herself give a blowjob. Unfortunately, they only fuck in standing doggy, and it's brief. He shoots off on her ass.
Bullock has the job, and is testing out his new camera that he bought with his advance. Of particular interest to him is how well the feed from the camera looks on his television. In the room with him is Taija, wearing a red and black leotard with leg warmers and doing leg crunches. She looks hot, and Robert recognizes that. So, they have some fun with the new toy. They set up the camera on a tripod, and point it at the TV. They then stand in front of the TV and fuck. This is pretty hot, what with shots of Taija watching herself watching herself give a blowjob. Unfortunately, they only fuck in standing doggy, and it's brief. He shoots off on her ass.
Voyeur Scene 3: Sheri St. Clair (brunette, sleek body, natural B cups, nasty streak) w/George Payne (5 minutes)
Our PI finds himself in a precarious position here. He has snuck into Sheri’s apartment, only to be forced into hiding under a table when she comes home unexpectedly. He is trapped there for two hours as she poses nude for an artist making a sculpture of her. We, the audience, only see ankles though because that’s what Kurtz would be seeing. It gets interesting when St. Claire, all hot and bothered, propositions the sculptor and pushes him to the side of the glass table and starts sucking his dick. Bullock looks up through the glass to watch the action and that’s how the whole scene will be filmed. It’s pretty hot, if nonsensical (why can’t they see him through the glass?) Sheri gives one hell of a blowjob, deep throat and all, before taking it standing doggy. George pulls out and shoots off on top of the table.
Our PI finds himself in a precarious position here. He has snuck into Sheri’s apartment, only to be forced into hiding under a table when she comes home unexpectedly. He is trapped there for two hours as she poses nude for an artist making a sculpture of her. We, the audience, only see ankles though because that’s what Kurtz would be seeing. It gets interesting when St. Claire, all hot and bothered, propositions the sculptor and pushes him to the side of the glass table and starts sucking his dick. Bullock looks up through the glass to watch the action and that’s how the whole scene will be filmed. It’s pretty hot, if nonsensical (why can’t they see him through the glass?) Sheri gives one hell of a blowjob, deep throat and all, before taking it standing doggy. George pulls out and shoots off on top of the table.
Voyeur Scene 4: Sheri St. Clair and Tish Ambrose (attractive, everyday blonde, nice natural body) w/Michael Knight (11 minutes)
At around 2 PM, Tish and Michael arrive at Sheri and husband’s apartment to help them cater a party to be held that evening. They were sent over by an agency. The husband is an incredible ass to them, and Sheri brilliantly condescending. The day progresses, with passage of time being depicted with re-occuring shots of a clock in Bullock’s apartment, and Tish creates floral arrangements as Knight slaves over a hot stove in the kitchen. The hired help do eventually change into proper attire, Tish in a modest black and white maid outfit and Michael in a butler’s tuxedo. However, they eventually learn that they are in fact the party. Sheri hopes to make good friends with them. Tish understands perfectly, and explains that they didn’t come from an escort agency. Suddenly, her tune changes when the husband waves a check in front of her face. So does Michael’s. The sex is on, and it’s fun. Sheri and Michael lick whip cream off Tish’s chest, and then she coats Michael’s dick with butter so that Sheri can better deep throat it. Both girls get fucked standing doggy style on the balcony. He shoots a decent load on Sheri’s ass, and Tish licks it up.
At around 2 PM, Tish and Michael arrive at Sheri and husband’s apartment to help them cater a party to be held that evening. They were sent over by an agency. The husband is an incredible ass to them, and Sheri brilliantly condescending. The day progresses, with passage of time being depicted with re-
Voyeur Scene 5: Sheri St. Clair w/Anthony Casino (7 minutes)
Days later, Bullock catches this encounter after it’s all ready begun. Somehow, Sheri and her husband have a prisoner in their apartment. She explains that she does a lot of charity work, and one of her programs is giving a convict 24 hours of monitored freedom. Anthony, of course, is apprehensive, especially since Sheri’s husband is holding a gun aimed at him. But Sheri calms his nerves, informing him that she wants him to unload his four years worth of saved up sperm on her. She’s his, and he’s to do whatever he wants with her. He agrees to it, and as soon as she unlocks his cuffs he pulls on the back of her hair and pushes her to the balcony. However, Anthony just doesn’t have much Erik Everhard in him-that’s normally a good thing. He can’t bring himself to dominate Sheri. In fact, she’s the one initiating most of it, doing her best to make it seem like he’s the one in charge though. Her loud moans during the blowjob are clearly ADRed, but it seems on the up-and-up during standing doggy. She jerks him off onto her hand at the end.
Days later, Bullock catches this encounter after it’s all ready begun. Somehow, Sheri and her husband have a prisoner in their apartment. She explains that she does a lot of charity work, and one of her programs is giving a convict 24 hours of monitored freedom. Anthony, of course, is apprehensive, especially since Sheri’s husband is holding a gun aimed at him. But Sheri calms his nerves, informing him that she wants him to unload his four years worth of saved up sperm on her. She’s his, and he’s to do whatever he wants with her. He agrees to it, and as soon as she unlocks his cuffs he pulls on the back of her hair and pushes her to the balcony. However, Anthony just doesn’t have much Erik Everhard in him-
Voyeur Scene 6: Sharon Kane w/Robert Bullock (5 minutes)
This is a bizarre scene. Bullock goes to a bar after his break-up fight with Rae, and he drowns his sorrows in far too many beers. He has a verbal spat with the bartender, and out of nowhere comes Sharon Kane in a police outfit. She claims to be throwing him out of the bar, but instead takes him to the back room and makes him eat her pussy. She even uses her nightstick as a make-shift double-ended dildo, one end in his mouth and the other in her pussy. This seemed more like a clever way of working Sharon’s strong dom persona into a script than it did a logical progression for the film. She is quite good at dominating him though. Costume fetish fans might note that she keeps her outfit on the whole scene, lifting but not taking off her skirt and not even touching the blue police blouse.
This is a bizarre scene. Bullock goes to a bar after his break-
The Voyeur story is interesting, the camerawork, cinematography, and music at a level beyond most modern porno DVDs, and the eroticism enticing. In short, Voyeur is one of the better adult films I’ve seen in quite some time. It appears that this was one of the last films that Chuck Vincent produced before dying of AIDs. It’s not exactly a masterpiece, but Voyeur is not a bad film to be remembered by.
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